Do enough profiles or conduct enough interviews, and you develop a sixth sense that tingles when your subject utters words you know would make a good lede. Sometimes in that moment it’s hard to resist a tiny fist-pump.
Errol Morris’ new documentary The Pigeon Tunnel begins with such a moment. David Cornwell, known to the world at large as John le Carré, pauses and asks Morris about the role that the filmmaker hopes to play in their conversation.
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